[Q309.Ebook] Download PDF Clark's Pocket Handbook for Radiographers, by Charles Sloane, Stewart A Whitley, Craig Anderson, Ken Holmes

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This pocket-sized guide, drawn from the twelfth edition of Clark's Positioning in Radiography, provides clear and practical advice to help radiographers in their day-to-day work. The authors considered that it is important for radiographers and students to have access to an additional text available in a "pocket" format which is easily transportable and convenient to use during everyday radiographic practice.

Designed for rapid reference, it covers how to position the patient and the central ray, describes the essential image characteristics, and illustrates each radiographic projection with a positioning photograph and a radiograph.

The authors have included a range of additional information new to this text. This includes a protocol for evaluating images (the "10-point plan") and a range of general advice for undertaking procedures in a professional and efficient manner. The book also includes basic information in relation to some non-imaging diagnostic tests, common medical terminology, and abbreviations. This is designed to help readers gain a better understanding of the diagnostic requirements and role of particular imaging procedures from the information presented in X-ray requests. In addition, the book discusses image evaluation, medical abbreviations, relevant normal blood values, and radiation protection.

Together with key points, this information helps the radiographer achieve the ideal image result.

• Sales Rank: #3080000 in Books
• Published on: 2010-04-30
• Original language: English
• Number of items: 1
• Dimensions: 5.00" h x .60" w x 7.70" l, .70 pounds
• Binding: Paperback
• 272 pages

Review

"It is informative and will be of tremendous value to radiologic technology students." --Doody's

About the Author
Charles Sloane MSc DCR DRI, Principal Lecturer and Radiography Course Leader, University of Cumbria, Lancaster, UK
Ken Holmes MSc TDCR DRI Cert CI, Senior Lecturer, School of Medical Imaging Sciences, University of Cumbria, Lancaster, UK
Craig Anderson MSc BSc, Clinical Tutor, X-ray Department, Furness General Hospital, Cumbria, UK

A Stewart Whitley FCR TDCR HDCR FETC, Radiology Advisor, UK Radiology Advisory Services Ltd, Preston, UK

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0 of 0 people found the following review helpful.
Amazing book. It is very useful
By M. Asiri
Amazing book.
It is very useful.

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[I554.Ebook] Ebook Download When the Sick Rule the World (Semiotext(e) / Active Agents), by Dodie Bellamy

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A moving meld of essay, memoir, and story, When the Sick Rule the World collects Dodie Bellamy's new and recent lyric prose. Taking on topics as eclectic as vomit, Kathy Acker's wardrobe, and Occupy Oakland, Bellamy here examines illness, health, and the body -- both the social body and the individual body -- in essays that glitter with wit even at their darkest moments.

In a safe house in Marin County, strangers allergic to the poisons of the world gather for an evening's solace. In Oakland, protesters dance an ecstatic bacchanal over the cancerous body of the city-state they love and hate. In the elegiac memoir, "Phone Home," Bellamy meditates on her dying mother's last days via the improbable cipher of Steven Spielberg's E.T. the Extra-Terrestrial. Finally, Bellamy offers a piercing critique of the displacement and blight that have accompanied Twitter's move into her warehouse-district neighborhood, and the pitiless imperialism of tech consciousness.

A participant in the New Narrative movement and a powerful influence on younger writers, Bellamy views heteronormativity and capitalism as plagues, and celebrates the micro-revolts of those on the outskirts. In its deft blending of forms, When the Sick Rule the World resiliently and defiantly proclaims the "undeath of the author." In the realm of sickness, Bellamy asserts, subjectivity is not stable. "When the sick rule the world, mortality will be sexy," Bellamy prophesies. Those defined by society as sick may, in fact, be its saviors.

• Sales Rank: #442201 in Books
• Published on: 2015-08-21
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .75" w x 6.00" l, .0 pounds
• Binding: Paperback
• 248 pages

Review

Dodie Bellamy's latest work, When the Sick Rule the World, is a series of biting, ouroboric takes on the bi-polar allure of sickness, a fantastic book of psychic bloodletting and cauterizing ironies.

(The Rumpus)

"Art writers lie. Art lies." Bellamy fishhooks these sentences into an essay that begins with an ingenuous art review, passes through cancer and the Rust Belt, ends with the dreams of a child. And each piece of writing in this book does something similar -- whether it's essay or narrative or both at the same time -- which is to say that no two pieces are alike. Whether she writes about the death of her mother or Occupy Oakland, Kathy Acker's Gaultier dress or "Techrification with Heart" (in a letter to Twitter), Bellamy never fails to infect the holistic pieties of contemporary culture, to expose art's enduring lies.

(Flavorwire)

The beautiful thing about Bellamy and this book is how readily and insistently she gives herself over.

(The Los Angeles Review of Books)

Bellamy's infused wit is the lifeline that keeps the work buoyant, a line of resistance thrown out for the reader to grab and hold to. With its raw, sometimes crass observation juxtaposed with neurotic intellectual analysis, When the Sick Rule the World provides a peculiar brand of humor that is both a tool of self-examination and an exercise in revolt.

(Lambda Literary Foundation)

About the Author

Dodie Bellamy is an American novelist, nonfiction author, journalist, and editor.

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1 of 1 people found the following review helpful.
Excellent writing. Experimental form
By M. Wood
Biography, narrative, theoretical, media reviews. Excellent writing. Experimental form. Read it.

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[A792.Ebook] PDF Download The Naga Queen: Ursula Graham Bower and Her Jungle Warriors, 1939-45, by Vicky Thomas

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In 1937, Ursula Bower visited Nagaland at the invitation of a friend, and on a dispensary tour encountered the Naga people. She was so taken was with their striking dignity, tribal pride, and unique culture that she arranged to live among them to write an anthropological study. But she became more than an observer—living alone among them, Ursula was integrated into their village life, becoming their figurehead when in 1944 the Japanese invaded the jungles of Nagaland from Burma. The Nagas turned to her for leadership and with the support of General Slim, her Naga guides were armed and trained to patrol and repel the Japanese incursions. The Nagas’ courage and loyalty were duly recognized, and after the conflict Ursula, with Naga support, went on to run a jungle training school for the RAF. Later, with her husband, Tim Betts, as Political Officer, she worked among the volatile tribes of the remote Apa Tani Valley, bordering Tibet. Following the Independence of India in 1947, Ursula returned to her highland roots, but to her death in 1988, her experiences among the Naga people shaped and directed her life.

• Sales Rank: #934656 in Books
• Brand: Brand: The History Press
• Published on: 2012-04-17
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 1.00" w x 6.00" l, 1.23 pounds
• Binding: Hardcover
• 240 pages

Features

• Used Book in Good Condition

About the Author
Vicky Thomas was editor of the partwork series Images of War for Marshall Cavendish in the late 80s, which kindled an enduring fascination for oral history, especially the experience of WWII. Since 2002 to the present day she has researched oral history books for Max Arthur, and while doing this she stumbled on Ursula Betts' interview at the IWM Sound Archive. She is the family's chosen biographer with exclusive access to archive material, enabling this unique insight into Ursula's extraordinary life.

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• Sales Rank: #2306254 in Books
• Published on: 2015-03-15
• Binding: Paperback
• 102 pages

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its a great score and resource
By bworrell85
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• Sales Rank: #5063662 in Books
• Published on: 2013-07-04
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .12" w x 5.51" l, .9 pounds
• Binding: Paperback
• 56 pages

About the Author
Sean O'Casey was born on March 30, 1880 in Dublin, Ireland. Other than the Dublin Trilogy, his many works include "The Star Turned Red", "The Silver Tassie", and "Purple Dust". He died on September 18, 1964.

Most helpful customer reviews

0 of 0 people found the following review helpful.
"What danger can there be in the shadow of a gunman?"
By Mary Whipple
When Minnie Powell, a resident of a Dublin tenement, makes this ironic statement to Donal Davoren, who is visiting his friend Seumas Shields, she is assuming that this poet-visitor is an IRA gunman, in hiding. It is 1920, and the Irish battle for independence has begun. Minnie, Seumas, and the other residents of the tenement all side with the rebels, and while Donal never says that he is with the IRA, neither does he work very hard to convince the residents otherwise.

Seumas, on the other hand, is actively involved with the rebels, using his work as a peddler of second-hand goods to make connections and carry information. Gunfire is constant at night, bombs go off, innocent citizens are killed, and the police raid neighborhood houses. During a disturbance that night, Minnie takes a bag of bombs, left under the bed by one of Seumas's friends, into her own room to protect Donal, to whom she is attracted, only to face the police in a raid.

The first of Sean O'Casey's "Dublin Trilogy" to be produced (followed by Juno and the Paycock in 1924 and The Plough and the Stars in 1926), this 1923 play is the work of a gifted but still inexperienced playwright. Walking the tight line between the absurd/satiric and the violent/tragic, the play has lovely dialogue but relatively little action onstage. Visitors come and go in Shields's tenement room, but most of the play consists of witty remarks, poetic commentary, and the dialogue of daily life--until gunfire breaks out in the street.

O'Casey establishes obvious contrasts between the poetry of Davoren and the grim reality of the "revolution," between the elegantly poetic statements of the always-sleepy Shields and the brutality of the police, between the love which Minnie offers and the political hatreds which dominate their lives, and between the men who engage in the chess game of rebellion and the women who often make the sacrifices. Though Davoren and Shields are interesting characters, the most dramatic events of the play take place offstage, as justice seems to get lost in the "excitement" of war. Mary Whipple

0 of 0 people found the following review helpful.
"What danger can there be in the shadow of a gunman?"
By Mary Whipple
When Minnie Powell, a resident of a Dublin tenement, makes this ironic statement to Donal Davoren, who is visiting his friend Seumas Shields, she is assuming that this poet-visitor is an IRA gunman, in hiding. It is 1920, and the Irish battle for independence has begun. Minnie, Seumas, and the other residents of the tenement all side with the rebels, and while Donal never says that he is with the IRA, neither does he work very hard to convince the residents otherwise.

Seumas, on the other hand, is actively involved with the rebels, using his work as a peddler of second-hand goods to make connections and carry information. Gunfire is constant at night, bombs go off, innocent citizens are killed, and the police raid neighborhood houses. During a disturbance that night, Minnie takes a bag of bombs, left under the bed by one of Seumas's friends, into her own room to protect Donal, to whom she is attracted, only to face the police in a raid.

The first of Sean O'Casey's "Dublin Trilogy" to be produced (followed by Juno and the Paycock in 1924 and The Plough and the Stars in 1926), this 1923 play is the work of a gifted but still inexperienced playwright. Walking the tight line between the absurd/satiric and the violent/tragic, the play has lovely dialogue but relatively little action onstage. Visitors come and go in Shields's tenement room, but most of the play consists of witty remarks, poetic commentary, and the dialogue of daily life--until gunfire breaks out in the street.

O'Casey establishes obvious contrasts between the poetry of Davoren and the grim reality of the "revolution," between the elegantly poetic statements of the always-sleepy Shields and the brutality of the police, between the love which Minnie offers and the political hatreds which dominate their lives, and between the men who engage in the chess game of rebellion and the women who often make the sacrifices. Though Davoren and Shields are interesting characters, the most dramatic events of the play take place offstage, as justice seems to get lost in the "excitement" of war. Mary Whipple

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