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The Foundation Pit, by Andrey Platonov
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TRANSLATED BY ROBERT AND ELIZABETH CHANDLER AND OLGA MEERSON
Platonov's dystopian novel describes the lives of a group of Soviet workers who believe they are laying the foundations for a radiant future. As they work harder and dig deeper, their optimism turns to violence and it becomes clear that what is being dug is not a foundation pit but an immense grave.
This new translation, by Robert & Elizabeth Chandler and Olga Meerson, is based on the definitive edition recently published by Pushkin House in Leningrad. All previous translations were done from a seriously bowdlerized text. Robert Chandler is also the translator of Vasily Grossman's Life and Fate. The American scholar Olga Meerson has written extensively on Pushkin, Dostoevsky, Platonov and many other Russian authors.
- Sales Rank: #1277402 in Books
- Published on: 2010-12-06
- Released on: 2010-12-06
- Format: International Edition
- Original language: English
- Dimensions: 7.74" h x .58" w x 5.05" l, .40 pounds
- Binding: Paperback
- 240 pages
Review
"Andrey Platonov is the most exciting Russian writer to be rediscovered since the end of the Soviet Union. Born in 1899, one of a railway worker's 10 children, he was an engineer, a party member and a model proletarian writer before doubts about Communism, and his literary imagination, landed him in trouble with Stalin. His work stopped being published in the early 1930s and only resurfaced 40 years after his death in 1951...The Foundation Pit will stand out as his masterpiece" Independent "Platonov managed to make the miseries of forced industrialization into a story as gripping as anything in Dickens, as moving and as artful" -- John Bayley Times Literary Supplement "Andrey Platonov's absurdist parable The Foundation Pit is a masterly achievement...Much of the genius of The Foundation Pit lies in Platonov's objective style and the lively invariably abusive dialogue, contrasting with oddly moving, isolated asides of brittle beauty. It is a Russian Waiting for Godot crossed with Lewis Carroll and Maxim Gorky - there is even a bear working as an apprentice blacksmith, frantically making horseshoes as if there were no tomorrow. And in this book, there isn't. According to the late Joseph Brodsky, Platonov 'simply had a tendency to see his words to their logical - that is absurd, that is totally paralyzing end. In other words, like no other Russian writer before or after him Platonov was able to reveal a self destructive, eschatological element within the language itself.' The Foundation Pit is extraordinary: strange, almost abrupt, a hallucinatory, nightmarish parable of hysterical laughter and terrifying silences" Irish Times "The Chandlers have brilliantly dealt with the challenges of rendering into readable English the extraordinary quality of Platonov's prose... Overall it is hard to see how we could get a better English version of Platonov's prose-nor one more likely to win him the readers he deserves" -- Orlando Figes New York Review of Books "He has been described as the greatest Russian writer of the 20th century, but some of his most controversial works, written between 1927 and 1932, were not published in the Soviet Union until the 1980s. Platonov's The Foundation Pit is a satirical response to Stalin's programme of crash industrialisation and collectivisation" Guardian
About the Author
Andrey Platonovich Platonov (1899-1951) was the son of a railway-worker. The eldest of eleven children, he began work at the age of thirteen, eventually becoming an engine-driver's assistant. He began publishing poems and articles in 1918, while studying engineering. Throughout much of the twenties Platonov worked as a land reclamation expert, draining swamps, digging wells and also building three small power stations. Between 1927 and 1932 he wrote his most politically controversial works, some of them first published in the Soviet Union only in the late 1980s. Other stories were published but subjected to vicious criticism. Stalin is reputed to have written 'scum' in the margin of the story 'For Future Use,' and to have said to Fadeyev (later to be secretary of the Writers' Union), 'Give him a good belting-for future use!' During the thirties Platonov made several public confessions of error but went on writing stories only marginally more acceptable to the authorities. His son was sent to the Gulag in 1938, aged fifteen; he was released three years later, only to die of the tuberculosis he had contracted there. From September 1942, after being recommended to the chief editor of Red Star by his friend Vasily Grossman, Platonov worked as a war correspondent and managed to publish several volumes of stories; after the war, however, he was again almost unable to publish. He died in 1951, of tuberculosis caught from his son. Happy Moscow, one of his finest short novels, was first published in 1991; a complete text of Soul was first published only in 1999; letters, notebook entries and unfinished stories continue to appear.
Most helpful customer reviews
1 of 1 people found the following review helpful.
The hole we dig for ourselves
By James Ferguson
I read an earlier translation by Robert Chandler. Platonov had been a long overlooked Soviet writer. His works had been banned for many years, but fortunately his daughter kept his manuscripts and was able to get The Foundation Pit and other stories published during the Perestroika era of the 80s. Chandler offers a faithful if not very lively translation of this important novel. Platonov was a contemporary of Orwell and shared many of the same misgivings about the rise of the Soviet state, which was one reason this book never found its way into print during the Stalin regime.
Volkov notes in Magical Chorus that Platonov might have met the same fate as his novel if it had not been for Vasily Grossman, who pleaded with Stalin to spare this gifted writer and got him a job as a war correspondent during WWII. But, Platonov could never get anything more than a few short stories published at the time.
The story goes back to the early years of collectivization when a group of construction workers are called into to rid a village of its Kulaks, and reform the farming town into an ideal collective. The foundation pit refers to a foundation that workers are digging for a large social housing project. It is never big enough, and work continues day and night, with the exhausted diggers returning to a cabin where they sleep on the floor. Unrest in the village leads the Soviet official to call in the workers. Platonov crafted his dialog from the slogans used during the time, creating a harsh and often repellent language, especially when spoken through a young orphan girl, which the construction workers have adopted. You can sense both the symbolism and the absurdity of the Soviet avant-garde at the time.
Chandler seems to warm up to the absurd nature of the story in the second half, when even the local animals become part of the action. The most amazing creature is a large bear that works as an iron smith, pounding away with all his force on the hot metal, singing songs to the collectivist state. He is also used to sniff out the Kulaks. Even the horses get into the action, collectivizing themselves. You would almost wonder if Orwell stole a few lines from this story had it not been printed at the time.
There is a strong theatrical sense to the story that left me imagining it played out on stage. He did write plays, including Fourteen Little Red Huts, which satirizes George Bernard Shaw's visit to the Soviet Union. Shaw had fallen under Stalin's spell and refused to accept the famine Stalin had engineered in Ukraine at the time.
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