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The Wise Man's Fear (Kingkiller Chronicles, Day 2), by Patrick Rothfuss
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My name is Kvothe. I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to Gods, loved women, and written songs that make the minstrels weep. You may have heard of me... So begins the tale of a hero told from his own point of view—a story unequalled in fantasy literature...
- Sales Rank: #24045 in Books
- Brand: Fantasy Novels DAW
- Published on: 2011-03-01
- Released on: 2011-03-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.88" w x 6.31" l, 2.87 pounds
- Binding: Hardcover
- 993 pages
- Daw Books
Amazon.com Review
Amazon Best Books of the Month, March 2011: The Wise Man's Fear continues the mesmerizing slow reveal of the story of Kvothe the Bloodless, an orphaned actor who became a fearsome hero before banishing himself to a tiny town in the middle of Newarre. The readers of Patrick Rothfuss's outstanding first book, The Name of the Wind, which has gathered both a cult following and a wide readership in the four years since it came out, will remember that Kvothe promised to tell his tale of wonder and woe to Chronicler, the king's scribe, in three days. The Wise Man's Fear makes up day two, and uncovers enough to satisfy readers and make them desperate for the full tale, from Kvothe's rapidly escalating feud with Ambrose to the shockingly brutal events that mark his transformation into a true warrior, and to his encounters with Felurian and the Adem. Rothfuss remains a remarkably adept and inventive storyteller, and Kvothe's is a riveting tale about a boy who becomes a man who becomes a hero and a killer, spinning his own mythology out of the ether until he traps himself within it. Drop everything and read these books. --Daphne Durham
Author One-on-One: Patrick Rothfuss and Brandon Sanderson
In an exclusive interview for Amazon.com, epic fantasy authors Patrick Rothfuss (The Wise Man's Fear) and Brandon Sanderson (Towers of Midnight) sat down to discuss collaborating with publishers, dealing with success, and what goes into creating and editing their work.
Rothfuss: Heya Brandon.
Sanderson: Hey there, Pat. Nice talking with you again.
Rothfuss: Thanks for being willing to do this. I know you're insanely busy these days.
Okay. Let me just jump right in here with a question. How long was Way of Kings? I heard a rumor that the ARC I read was 400,000 words long. It didn't really feel like it…
Sanderson: Let me see. I will open it right now and word count it, so you have an exact number. It’s 386,470 words, though the version you read was an advance manuscript, before I did my final 10% tightening draft, which was 423,557 words.
I didn’t really want it to be that long. At that length we’re running into problems with foreign publishers having to split it and all sorts of issues with making the paperback have enough space. I didn’t set out to write a thousand-page, 400,000-word book. It’s just what the novel demanded.
Rothfuss: Wise Man's Fear ended up being 395,000 words. And that's despite the fact that I've been pruning it back at every opportunity for more than a year. I'd spend weeks trimming superfluous words and phrases, extra lines of dialogue, slightly redundant description until the book was 12,000 words shorter.
Then a month later I'd realize I needed to add a scene to bring better resolution to a plot line. Then I'd add a couple paragraphs to clarify some some character interaction. Then I'd expand an action scene to improve tension. Suddenly the book's 8,000 words longer again.
Sanderson: Yeah, that’s exactly how it goes.
It’s very rare that I’m able to cut entire scenes. If I can cut entire scenes that means there’s something fundamentally not working with the sequence and I usually end up tossing the whole thing and rewriting it. But trimming, or pruning as you described it, works very well with my fiction.
I can usually cut fifteen percent off just by nurturing the text, pruning it, looking for the extraneous words and phrases. But I wonder if in doing that there’s a tendency to compensate. There’s a concept in dieting that if someone starts working out really hard, they start to say, “Well, that means I can now eat more,” and you’ll find people compensating for the extra calorie loss by eating more because they feel they can. I wonder if we do that with our fiction. I mean, I will get done with this big long trim and I’ll say, “Great, now I have the space to do this extra thing that I really think the story needs,” and then the story ends up going back to just as long.
Though at least in my case I can blame my editor too. He’s very good with helping me with line edits, but where we perhaps fuel each other in the wrong way is that he’ll say, “Ooh, it’d be awesome if you add this,” or “This scene needs this,” or “Can you explain this?” And I say, “Yes! I can explain that. I’d love to!” And then of course the book gets longer and then we both have to go to Tom Doherty with our eyes downward saying, “Um, the book is really long again, Tom. Sorry.”
I have a question for you, then. Did you always intend the Kingkiller Chronicle to be three days split across three books? Or did you start writing it as one book and then split it? What’s the real story behind that?
Rothfuss: Assuming I had any sort of plan at the beginning is a big mistake. I just started writing. I didn't have a plan. I didn't know what I was doing.
For years and years I just thought of it as The Book in my head. I've always thought of it as one big story. Then, eventually I realized it would need to be broken up into volumes.
I can't say why I picked three books except that three is a good number. It's sort of the classic number. And while the story is working well in this format, part of me wishes I'd broken it into smaller chunks. This second book has so many plotlines. If I'd written this trilogy as say, 10 books, each one would be much shorter and self contained. More like the Dresden Files.
That's pointless musing though. I'm sure if I'd written smaller volumes right now I'd be thinking, "Oh! if only I'd written these as longer books I could play more with interwoven plot lines…"
Read the full interview From Publishers Weekly
Starred Review. As seamless and lyrical as a song from the lute-playing adventurer and arcanist Kvothe, this mesmerizing sequel to Rothfuss's 2007's debut, The Name of the Wind, is a towering work of fantasy. As Kvothe, now the unassuming keeper of the Waystone Inn, continues to share his astounding life story—a history that includes saving an influential lord from treachery, defeating a band of dangerous bandits, and surviving an encounter with a legendary Fae seductress—he also offers glimpses into his life's true pursuit: figuring out how to vanquish the mythical Chandrian, a group of seven godlike destroyers that brutally murdered his family and left him an orphan. But while Kvothe recalls the events of his past, his future is conspiring just outside the inn's doors. This breathtakingly epic story is heartrending in its intimacy and masterful in its narrative essence, and will leave fans waiting on tenterhooks for the final installment. (Mar.)
(c) Copyright PWxyz, LLC. All rights reserved.
Review
“The best epic fantasy I read last year.... He’s bloody good, this Rothfuss guy.”
—George R. R. Martin, New York Times-bestselling author of A Song of Ice and Fire
“Rothfuss has real talent, and his tale of Kvothe is deep and intricate and wondrous.”
—Terry Brooks, New York Times-bestselling author of Shannara
"It is a rare and great pleasure to find a fantasist writing...with true music in the words."
—Ursula K. LeGuin, award-winning author of Earthsea
"The characters are real and the magic is true.”
—Robin Hobb, New York Times-bestselling author of Assassin’s Apprentice
"Masterful.... There is a beauty to Pat's writing that defies description."
—Brandon Sanderson, New York Times-bestselling author of Mistborn
“[Makes] you think he's inventing the genre, instead of reinventing it.”
—Lev Grossman, New York Times-bestselling author of The Magicians
“This is a magnificent book.”
—Anne McCaffrey, award-winning author of the Dragonriders of Pern
“The great new fantasy writer we've been waiting for, and this is an astonishing book."
—Orson Scott Card, New York Times-bestselling author of Ender’s Game
“It's not the fantasy trappings (as wonderful as they are) that make this novel so good, but what the author has to say about true, common things, about ambition and failure, art, love, and loss.”
—Tad Williams, New York Times-bestselling author of Memory, Sorrow, and Thorn
“Jordan and Goodkind must be looking nervously over their shoulders!”
—Kevin J. Anderson, New York Times-bestselling author of The Dark Between the Stars
“An extremely immersive story set in a flawlessly constructed world and told extremely well.”
—Jo Walton, award-winning author of Among Others
“Hail Patrick Rothfuss! A new giant is striding the land.”
—Robert J. Sawyer, award-winning author of Wake
“Fans of the epic high fantasies of George R.R. Martin or J.R.R. Tolkien will definitely want to check out Patrick Rothfuss' The Name of the Wind.”
—NPR
“Shelve The Name of the Wind beside The Lord of the Rings...and look forward to the day when it's mentioned in the same breath, perhaps as first among equals.”
—The A.V. Club
“Rothfuss (who has already been compared to the likes of Terry Goodkind, Robert Jordan, and George R. R. Martin) is poised to be crowned the new king of epic fantasy.”
—Barnes & Noble
“I was reminded of Ursula K. Le Guin, George R. R. Martin, and J. R. R. Tolkein, but never felt that Rothfuss was imitating anyone.”
—The London Times
“This fast-moving, vivid, and unpretentious debut roots its coming-of-age fantasy in convincing mythology.”
—Entertainment Weekly
“This breathtakingly epic story is heartrending in its intimacy and masterful in its narrative essence.”
—Publishers Weekly (starred)
“Reminiscent in scope of Robert Jordan's Wheel of Time series...this masterpiece of storytelling will appeal to lovers of fantasy on a grand scale.”
—Library Journal (starred)
Most helpful customer reviews
0 of 0 people found the following review helpful.
Like Empire to Star Wars - It Keeps Getting Better
By therealjdh
Much like The Empire Strikes Back, perhaps the 2nd installment is better than the first. Whtile The Name of the Wind is spectacular, The Wise Man's Fear introduces us to a far greater landscape than the narrow confines of the University. We see Kvothe, not just as a brilliant young student, but as a flawed, dynamic young man. WMF takes us to the gossip and intrigue filled court of Vintas, the mountains and warrior culture of Ademre and the nest of Fellurian herself. Kvothe becomes not only a more dynamic character, but a far deeper one as well in these pages. I cannot recommend this book more highly.
0 of 0 people found the following review helpful.
A Good Fun Read
By Mo Timeq
I like the book and it was a steady read on my kindle. It had a main theme but also included stories within the main story. I loved the characters you were supposed to love and hated the ones you were supposed to hate. This is a fantasy type story but very mature. There were plenty of twists and suspense. The book was a fun read. Make sure you read the 1st book (The Name the Wind) first. I would use the same description for that book.
0 of 0 people found the following review helpful.
Magically fine read with a bit of slogging in spots
By C. Heisten
I enjoyed reading this story. The writing is lyrical and in some places lovely. (minor spoilers follow) There are some problems I think with the pacing. The story is choppy with skipped places where there could be more fun, like how the heck the main character is shipwrecked. Then the writing goes on and on with the time with Felurian ad nauseum. If you are going to describe sex in cryptic terms, well just don't go so overboard. The pace plodded in the training with the Adem and ok, he is clever and all, but it starts there to just be a bit much. Like he is the ONLY barbarian to be accepted and given the secrets and all that. And they don't notice how he "defeats" their tree? Are they suspicious at all? Then there is the stuff about the inn and Bast...what a great character with loads of potential there! Divi and Bast are both so much less than they could be, beautifully crafted to little end. And really, I can't love her...what is so great about Denna, or Diana, or Dwhatever and why doesn't he just kiss her for crying out loud? It doesn't make sense really. Illogical. I enjoy the writing style very much and there are enough good things here to make it worth reading. I do look forward to the third book and hope it ties up some of the ends that are all shaggy. Overall there are some great "magics" and ideas here and the story is a lot of fun to read. Almost a 5 star, and a great third book that gives us a meaningful wrap up will totally make the trilogy one of the best in it's genre.
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